delta 66 manual

Plug the microphone into the channel-2 Mic input.Click on the Delta Control Panel on your Windows taskbar to maximize it. The default Master Volume fader settings are 0dB and un-muted, and all other faders are set to full attenuation (-144dB) and muted. We will need to adjust these to our preference. The screen capture below shows the settings that we wish to achieve. This will allow us, once we’ve recorded into a music software program, to hear those software outputs upon playback. Record a take of your guitar and vocals.Record a take of your new guitar and vocal tracks. Because you have set up the first two tracks to play back through the monitor mixer, you should hear those original tracks along with the ones that you are now recording. NOTE: Because improper connections can potentially make very loud noises, it’s a good idea to have monitor levels down while hooking up audio equipment —. The Delta input appears as a stereo pair. 7. Start your software recording and then start your DAT material playing. You should be able to hear the DAT material through your sound system. Transferring from Delta 66 to DAT, monitoring with DAT 1. Typically, Windows is only aware of the resource settings of the installed PnP devices and has no information available to it for adjusting the PnP devices’ resources around those of the non-PnP devices. If you have any doubt about the configuration of your device (or just want to double-check), you can view all of the devices and their assigned resources by highlighting “Computer”. Consult your computer or motherboard manual for advice on how to do this. Finally, with some systems you will reach the dead-end realization that you have no available IRQ’s — every one of them is assigned to some device in the system. This most typically occurs with pre-packaged computers made by the big-name O.E.M. See the general troubleshooting suggestions at the beginning of this section. Problem: I’m getting some pops and clicks in my audio recording.

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Even if you are experienced in digital recording, please take the time to read this manual. It will give you valuable information on installing your new card and the supporting software, plus help you to fully understand the function and usability of the Delta 66. Analog INS 1-4: These jacks input analog audio from a variety of external sources. This bracket is usually fastened to the computer with a single screw. 6. Position the Delta 66 PCI host card over the target PCI slot and fit the card loosely over it with the card in the upright position. Make sure that only “Choose a Path”. Once this process completes itself, your Delta 66 will be ready for action. After completion of the driver installation, Windows may require you to restart Windows. You will be able to visually see the Delta extension icon pass by as your system loads extension. For both “Sound In”and “Sound Out,” click and highlight the Delta icon, then exit. By double-clicking on that icon, you will launch the Delta Control Panel software.For each mixer output and input channel there is one of each: a volume fader, a peak meter, a solo control, and a mute control. Therefore be careful to adjust the incoming audio levels so that they do not peak in the red section too long (you might use the monitoring capability of the Delta 66 to let your ears be the judge). On all output level meters, 0dB indicates full-scale output. Otherwise select “Independent” to allow the audio channels to play independently — this setting may be desirable if more than one application needs to access the Delta 66 simultaneously. DMA BUFFER SIZES: This section specifies the amount of system memory dedicated to digital audio buffering. These controls do not apply to the Delta 66. DIGITAL OUTPUT FORMAT: Within the “Digital Output Format”. About Page The “About” page, while displaying the handsome M Audio logo and applicable copyright information, also reports the driver version and control panel software version.

You may select which Delta hardware stereo input pair and stereo output pair will be used for the Sound Manager’s Sound In and Sound Out in the Delta Control Panel “Hardware Settings Page” (see section, “Hardware Settings Page”undeOnce the Delta Control Panel soTherefore be careful to adjust the incoming audio levels so that they do not peak in the red section too long (you might use the monitoring capability of the Delta 66 to let your ears be the judge). On all output level meters, 0dB indicates full-scale output. Unlike the inputs, hardware clipping is impossible on the outputs because of the 36-bit resolution built into the mixer hardware. However, please note that it is possible to mix multiple tracks wit. Minimum System Requirements for PC: Windows 95, 98 or NT Pentium II 266MHz - (96kHz operation) Pentium 200 MMX - (48kHz or less) 128 MB of PC100 RAM - (96kHz operation) 64 MB of SDRAM - (48kHz or less) UDMA EIDE or SCSI HDD Minimum System Requirements for Mac: G4, G3 or G3 accelerator 128 MB RAM for 96kHz operation 96 MB RAM for 48kHz operation That's why we made the Omni Studio. The Omni Studio resolves some of the most common problems and inconveniences with computer-based recording. In addition to eliminating the need to reconfigure between record and playback, the Omni integrates seamlessly with all of today’s music production tools, streamlining the typical desktop studio.There's clearly a demand for such products, but rather than launch something exactly like these, M Audio have used a little lateral thinking and come up with a rather different solution, consisting of an interface that adds these features to a traditional soundcard. Those who don't need them can, of course, just buy the soundcard.

Possible Cause 1: Input levels are too “hot,”. Our main objective is to get the signal we want to record to the Delta 66, and to monitor the outputs from the Delta 66.These sends will have their own individual level control and will receive the signal either pre fader or post fader, i.e. either independent or dependent on that channel’s fader level. Even if you are experienced in digital recording, please take the time to read this manual. It will give you valuable information on installing your new card and the supporting software, plus help you to fully understand the function and usability of the Delta 66. Once you’re up and running, you will quickly discover the power and brilliance, both in sound and design, of yoBreak-Out Box Back Panel: 3. Host Cable connectThis bracket is usually fastened to the computer with a single screw. 6. Position the Delta 66 PCI host card over the target PCI slot and fit the card loosely over it with the card in the upright position. Press the card gently but firmly downward into the slot until the card is completely and squarely seated in the slot. If the card seems difficult to seat, a slight rocking motion may help. 7. ScreInsert the Drivers CD into your CD ROM drive. Type in the drive letter of your CD drive (we will assume here that it is D:\) and the path to the Delta drivers, which will be D:\Delta Products\Delta9After completion of the driver installation, Windows may require you to restart Windows. If it does request a restart, remove the Drivers CD from the CD drive and respond by clicking “Yes”. The system will restart and your Delta 66 is ready for play. Windows NT Installation 1. Power up your computer after physically instaIf your music program does use ASIO, leave the Sound Manager dMost of the time the master clock is taken from the internal crystal oscillators.For both “Sound In”and “Sound Out,” click and highlight the Delta icon, then exit.

If you plug in a male XLR plug you get a low-impedance balanced input suitable for a mic, with 48 Volt phantom power globally switched in and out from the rear panel (although, sensibly, its red LED indicator is on the front panel). Plugging in a quarter-inch jack gives you a high-impedance unbalanced input that should prove ideal for electric guitars or acoustic guitars with pickups. Next in each preamp signal chain is a switchable pad to cope with hot signals, which reduces the gain of whichever input is in use by 20dB. This is followed by a rotary gain control, and then two level indicators — a green LED to show that a signal is present, and a red one that flashes when the signal level is 2dB below clipping. Inputs 3 and 4 are at line level on the back panel, and have no preamp or insert features. Four additional stereo Aux inputs are also provided on the back panel, and are TRS-wired to carry both the left- and right-channel signals from line-level sources such as MIDI synths. To save you wiring up special cables you could use commercial 'insert' cables with twin mono jacks at one end and a single stereo plug at the other. In addition, each of these four playback channels has its own front-panel rotary Effects Send control. A pair of rear-panel sockets provides left and right effects return facilities, so that you can add reverb or other effects in differing amounts to each playback channel. This return is connected to the stereo mix buss. These outputs would typically be used to feed a DAT or Minidisc recorder during final mixdown. A further pair of rear-panel monitor outputs also has a rotary Monitor level control on the front panel, and there are two headphone outputs on the front panel, each with its own rotary level control. The remaining controls are a front-panel power switch with red LED indicator, and the rear-panel sockets to attach the Delta soundcard and supplied 9 Volt AC adaptor.

This means that the many existing owners of Delta 44 and 66 soundcards can now add these desirable extra features without having to change their soundcard, while new customers buying both the Omni and Delta 44 or Delta 66 as a bundle save a little money, since they don't need to buy the original breakout box. For the purposes of this review, M Audio sent me the full Delta 66 package (ie.Delta Overview The Delta 44 and 66 PCI expansion cards are both just five centimetres long. The Delta breakout box is a neat metal enclosure sprayed silver with black legends, and measures 15cm wide, 2.5cm high, and 7cm deep. Despite its small size, it looks sturdy enough to survive being accidentally run over by a small car. Sadly, though, the supplied umbilical cable is a rather ungenerous 0.9 metres long, and the breakout box wouldn't reach the desktop from my floor-mounted tower system. M Audio are apparently planning to double the length of the supplied cables, which should make things a lot easier. Its dimensions are 21.5cm wide, 14cm deep, and just over 4cm high. This makes it half-rack width, and again a 5mm screw mounting hole is provided on the bottom plate to bolt it into a universal rackmount tray if required. However, there are just so many controls (nine knobs, six switches, 10 LEDs, and a total of 24 sockets) crammed onto the front and rear panels that it took me quite some time to sort out what exactly was on offer. This was partly due to the rather cryptic manual and signal-flow charts which, although they contain all the information, seem to place it in rather a convoluted order. Analogue Input 1 and Input 2 each have a high-quality preamp — apparently the mic preamp circuitry used is identical to that in M Audio's rather more upmarket DMP2 — and these inputs are intended for either mic or instrument signals, using a Neutrik Combi socket.

A new third option has appeared since my Delta 1010 review labelled 'Multiple Card Sync'. This allows you to run up to four mixed Delta cards simultaneously, although they are not sample-locked. The right-hand section of the Control Panel is always visible whichever of the five tabbed pages is selected, and four radio buttons here display the full list of detected Delta hardware. Above them are Save, Delete, and Load buttons to store and retrieve different sets of Control Panel settings. If you tick the 'Advanced Settings' box a further set of options appears. When in Consumer mode you can set SCMS off, Copy Permitted, or 1st Generation (which prevents copying from copies). In Use The Delta 66's D-A converters showed subtle improvements over those of my own benchmark Echo Gina card, with a greater sense of space, depth, and realism during acoustic performances. Using Wavelab my RMS background noise tests initially proved disappointing, with figures around -84 to -85dB whatever the bit depth and sample rate, until I noticed that I had been measuring a brief jump in noise levels at the start of each recording. Examining the files more closely showed an initial half-second noise surge, followed by much lower levels for the remainder of each recording. This is no doubt due to some initialisation process, and won't affect real-life recording except perhaps during some drop-ins (though the surge is too low in level to be noticeable in most mixes). As with the Delta 1010, I managed to run the ASIO drivers at the lowest setting of 336 bytes per buffer, giving me a latency of 8 milliseconds at 44.1kHz with my Pentium II 450MHz PC. However, as mentioned earlier, it did take me some time to fully get my head round the Omni options, largely due to the inclusion of such a large number of controls in such a small area. The Omni would have looked far more impressive with a full rack-width case, but I suspect that this would have pushed up the price too much.

The Omni is also more versatile than it at first appears. The 12 playback channels could be augmented by the signals at the four input sockets, if you premix them using the M Audio Control Panel monitor mixer, to provide a total of 16 signals during mixdown to an external DAT recorder. Yet another application is keyboard submixing, which could be achieved by routing the Record Outs to inputs 3 and 4 to bounce up to four stereo signals down to one stereo track. For musicians who don't need the eight ins and outs of the majority of multitrack soundcards, the Delta 66 is still a useful step up from traditional stereo cards. M Audio have really crammed a lot of features into a small space, and once you get your head around the options it's surprisingly versatile. For those with other soundcards who are looking enviously at the Omni, help will soon be at hand. In a month or two after this review appears, we should see the release of an optional breakout cable for the four analogue ins and outs that normally interface with the Delta card, so that you can connect the Omni to any soundcard. It may be a little cramped but it's excellent value at a bundled price of ?548, and I'm confident that M Audio will sell bucketloads. M Audio (Midiman) has recently released the Delta Series, composed of the Delta 66, the Delta 1010 and Delta DiO 2496, all 24 bit, 96kHz capable components. All of these products are designed to work together and several more are on the way. Please read the Midiman interview for more on this. This article reviews the Delta 66 which features: The minimum system requirements of the card are:As is my practice, I first read the manual cover to cover and found it to be very informative, well written and thorough. I inspected the breakout box. My first impressions of the breakout box was that it was heavy and very sturdy. There was a satisfying click when I inserted the jacks.

Installation M Audio supply Mac and PC drivers for all their MIDI and Audio products on a single dual-format CD-ROM, along with manuals and other reference material in PDF format. Various new features have been added to the Delta drivers since I reviewed the Delta 1010 that give all Delta owners more flexibility. For instance, the PC drivers are now GSIF-compatible, which will please users of Nemesys products such as Gigasampler and Gigastudio. Sadly, though, you still have to reboot Cubase after making any changes in the driver settings for these changes to take effect. Mac owners can drag their Control Panel file from the CD-ROM to any partition and drive, and for quick-launch convenience both PC and Mac owners can create a shortcut or alias from the desktop. Control And Monitoring The M Audio Delta Control Panel utility is a standard feature across all of the Delta range, though a number of new options have been added since I reviewed the Delta 1010 a year ago. For use with MME-based applications on the PC you can launch it as a stand-alone utility, but for those that use ASIO or EASI drivers it's better launched from within your music application, since this will directly control some functions such as clock settings and sample rate. Mixer Delta-66, the purpose of which will become clear shortly. The latter is self-explanatory, giving the driver and panel version numbers. Each of these 12 possible mono signals has its own 24-bit fader with useful position readout in dBs, a peak-reading meter, Pan slider, Mute and Solo tick boxes, along with one Stereo Gang tick box per pair. The control panel is only long enough to display four stereo pairs side by side, but a scrollbar lets you move through the rest. An overall Master Volume section provides similar facilities, with a pair of faders and meters, along with a single Mute and Stereo Gang tick box. Mixer Delta-66 mentioned in the previous section as an input in your music application.

The third tabbed page is Hardware, which controls the clock and sample rate settings, along with various options for driver buffer and sync, as well as some additional settings that don't appear with the Delta 1010. The panel is divided into six areas. Beneath the two radio button options is a text box that displays Locked or Unlocked to indicate whether a valid clock signal is currently available. Codec Sample Rate has 12 radio buttons for the available sample rates from 8kHz to 96kHz, and normally displays the current sample rate. If the Internal clock is being used, this will be set by your software application when it plays back an audio file. There are two additional options. You can tick 'Rate Locked' and select a specific codec sample rate if you want to prevent your application from changing it, which is useful if, for instance, you accidentally load in a 22kHz file but don't want your sequencer's setting to get changed from 44.1kHz. 'Reset Rate When Idle' lets you return to your chosen sample rate when your software isn't actively forcing a setting, which is useful if you want to keep the monitor mixer running at a specific sample rate. The analogue outputs have a global three-way level option, while each of the four analogue inputs can be switched individually. Although most consumer audio products normally provide -10dBV output levels and input sensitivity, the manual confusingly describes the Consumer setting as suitable for semi-pro equipment, though it's actually an intermediate setting with 6dB more headroom. The DMA Buffer Sizes panel lets you adjust the Wave and ASIO driver latencies separately, and the latest drivers now also support Emagic's EASI protocol alongside ASIO. The first option should be employed when you intend to use all the inputs and outputs with one multitrack application, and the second if you want to split some off for a second one such as a soft synth.

I inserted the soundcard in an empty PCI slot in my system - - a Pentium II 300, running Win98, 64 meg of RAM and a 20 gig Maxtor harddrive system. I then connected all the equipment together. Installation of the card and drivers under Windows 98 was flawless and took about four minutes. I double-checked everything and all was working perfectly.I then listened to some songs I had previously recorded. The songs contained a typical set of instruments including a drum track, acoustic and bass guitars and vocals. I was not disappointed. The sound was crystal-clear, full and very defined. I could hear everything except noise. (According to the manual, all internal signals are routed at 36-bit resolution). I then ran DDDrummer, a program that utilizes real drum samples, through the card at high volume. I was able to hear every aspect of the drum sounds spectrum from the bass drum fade to the shimmer of the ride cymbal. Again, the sound was very good. My expectations of great sound having been satisfied, I began to examine the useability of the card for recording applications. This card is for digital audio recording and playback and has no MIDI capability. (M Audio does make a MIDI interface product that utilizes the USB port, the USB Midisport 2X2). However, for analog recording the card is very capable. The breakout box was handy for connecting my cables and, for a small studio, provides sufficient connectivity for most projects. Moreover, M Audio is developing drivers that will allow for syncing up to four Delta 66s at once. In my opinion, the card layout and connections options were well-thought out for recording digital audio in the real world. The best test though is recording. Using a set of AKG C1000s I have for a pending review, a Spirit Folio mixer and a variety of recording software, I recorded random sounds such as my voice, finger-snapping, rubbing my hands together, clapping, and whistling. The card accurately captured all these sounds.

Next, I recorded single tracks of my singing voice, bamboo flute and slow lead notes on my acoustic guitar. Again, the card captured the full audio spectrum of these instruments very well. Lastly, using Cakewalk 9, I recorded some tracks of a new song I am working on. I first laid down a rhythm guitar track with my acoustic and then a MIDI bass track with my synthesizer through another card with a MIDI input. I finished it off with a couple of vocal tracks. I got outstanding results. The guitar sounded very accurate as did my voice (however bad it may be). I definitely recommend reading the manual for help with this feature. At first it seems complicated but gets much easier as you go. With this system, the user has great flexibility in routing signals from audio inputs, software inputs and hardware inputs. The manual contains extensive instructions on how to use this feature. Please see the screenshot below. This function allows a user to patch each of the hardware outputs to specific audio sources. Again, the manual goes into great detail on how to utilize this feature. Please see the screenshot below. Lastly, the user can set hardware settings, such as sampling rate, bit-depth, DMA buffer sizes, and clock settings in the hardware page. Please see the screenshot below. To recall a particular setting, the user simply highlights it, clicks on the Load button and then clicks on OK to recall those settings. Overall, I found the system worked very well and allowed extra routing options and settings for recording not available on other cards. The card installed effortlessly and worked flawlessly throughout all of my tests. It sounded very good, which came as no surprise. The soundcard worked well with a variety of software programs including, n-Track Studio, Cakewalk 9, Cool Edit Pro SE, Digital Orchestrator, Mboom, Goldwave, and Samplitude 2496. The breakout box is a nice feature. If you are like me, the PC is on the floor on its stand.

Having the breakout box eliminated the need to get my old body under the table, at the back of the CPU.n My only complaint are that the cable for the breakout box is too short. I was left with having to put the box on top of my PC case. Not the best place. In addition, not having a MIDI port to hook to could be problematic. If a user can only have one card and must have MIDI capability, this card will not work. I can understand M Audio's marketing efforts but one would have to purchase a MIDI-equipped card or the USB device above. The card sounded excellent, with very accurate reproduction of real instruments. The Delta 66 works very well, is extremely quiet and is an excellent card for the small studio. In the near future, M Audio will finish its drivers so that a user can string up to four 66s together. In that case, the card will have applications for larger projects as well. The hardware and drivers worked flawlessly in my applications. If you don't need MIDI connectivity, I highly recommend the Delta 66. Technische Anderungen vorbehalten. Alle Abbildungen sind Symboldarstellungen und konnen vom tatsachlichen Produkt abweichen. Alle Daten Stand September 2003. Diese Anleitung soll Ihnen die Installation und Inbetriebnahme in Ihr Computersystem erleichtern. Uber die Breakout Box konnen Sie analoge Audio Gerate wie Mischpulte, Verstarker, Tapedecks usw. Der Digital Ausgang unterstutzt Non-Audio Streams z.B. fur AC3 Ausgabe mit entsprechende Software. Page 6 Anschlusse Delta 66 Anschlusse der PCI Karte Schliessen Sie die Breakout Box an den auf der Karte vorgesehenen Anschluss an. Nutzen Sie sowohl auf der Kartenseite als auch auf der BoxSeite die Feststellschrauben um eine sichere Datenubertragung zu gewahrleisten. Weiter bietet Ihnen die Karte Anschlussmoglichkeiten fur digitale Gerate wie z.B. DAT Recorder, CD Player usw. Haken Sie das Feld Geben Sie eine Position an. Das Feld Wechselmedien darf nicht angehakt sein. Haken Sie das Feld Geben Sie eine Position an.

Page 10 Windows NT Installation (NT-Treiber Version 5.x) Fur den Einsatz unter Windows NT ist mindestens Service Pack 4 empfohlen. Klicken Sie auf Weiter. ! Wahrend des Kopiervorgangs wird die Treibersignatur gepruft. Klicken Sie auf Installation fortsetzen. Die Delta Karte ist nun betriebsbereit. Der Pfad kann logisch aufgebaut variieren, Stand CD-Version 082103 (Treiber 5.x.29) www.m-audio. Page 13 Installation unter Mac OS 8.5-9.x Auf der M-Audio Internetseite steht ein Multikarten-Treiber zur Verfugung, dieser Treiber ist auch fur den Einzelkarten Betrieb empfohlen. Page 14 Installation unter Mac OS X Systemvoraussetzung ist OS X 10.1 oder hoher. Fur die Installation des Treibers mussen Sie Administrator-Rechte besitzen. Aktivieren Sie im das Disk Image auf der CD im Verzeichnis Delta Series - OS X (10.1.x or higher) und starten Sie auf dem nun erstellten Datentrager das Installer Package M-Audio Delta Software. Wahrend der Installation muss das Passwort eingegeben werden. Nach dem Neustart ist Ihre Delta Karte einsetzbar. Page 15 Delta Control Panel Delta Control Panel fur Windows in der Systemsteuerung Uber das Control Panel ist das Delta Digital Audio Interface konfigurierbar und steuerbar. Page 16 Delta Control Panel Monitor Mixer Alle Delta-Karten verfugen uber einen internen 36Bit Hardware Mixer. In diesem Menu konnen Sie diesen einstellen. Die Einstellungen beziehen sich Abhorlautstarke des Kanals, nicht die Aufnahmelautstarke. Im Bereich Codec Sample Rate konnen Sie eine bestimmte Abtastrate erzwingen, wahlen Sie hierfur die gewunschte Sample Rate und haken Sie Rate locked an. Wahlen Sie als Digital Output Format zwischen: Consumer, dementsprechend stehen im Advanced Settings Menu Einstellungen zum Copy Mode SCMS (Original, Erste Generation, kein Kopierschutz) und Emphasis zur Verfugung. Professional, hier konnen Sie im Advanced Settings Menu Einstellungen zu Data Type (Audio, Non Audio) und Emphasis vornehmen.

Page 20 Multikarten Modus Je nach Betriebssystem mussen die Karten ggf. Die Delta Serie unterstutzt sowohl Single Board Multi Card Mode (z.B. 2 Delta 1010) als auch Mixed Board Multi Card Mode (unterschiedliche Delta Karten) Wahlen Sie Single and In-Sync um alle Kanale einer Karte miteinander zu synchronisieren. Der Geratetyp ist Audio, Video und Game Controller. Im Geratemanager finden Sie alle im Computer installierten Gerate, eine Ressourcenubersicht erhalten Sie, wenn Sie doppelt auf Computer klicken. Wechseln Sie den PCI-Steckplatz der Karte. CENELEC HD 384 or DIN VDE 0100. PWM Scale Factor: Ixx66. Protection degree. IP66. Power. Batteries. Reload to refresh your session. Reload to refresh your session.